194 bars at 184 BPM -- fast, and 4:08 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-3, ride through bars 4-7, kick and crashes through bars 8-10, toms through bars 11-13, snare through bars 14-23 and hi-hat through bars 24-41, and 19 more changes after that.
The beat the song is built on is one bar, played through bars 24-30, 32-37 and 69-75 -- 10.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--x-o-x-o-x-o-x-|
SD |----x---------x-|
BD |x-x-----x-x-----|13 fills to learn, played 37 times: bars 8, 31, 39, 42, 43, 46 and 31 more.
It cuts the song into 47 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
184 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
194 bars, about 4:08 at the written tempo. The course breaks it into 47 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 37 times: bars 8, 31, 39, 42, 43, 46 and 31 more.