186 bars of 4/4 at a walking 100 BPM, 7:21 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with how fine the subdivision is the part that decides it.
silence through bars 1-10, snare through bars 11-22, hi-hat through bars 23-33, snare through bars 34-41, hi-hat through bars 42-50 and snare through bars 51-58, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 24-28, 42-47 and 59-64, and 8 more places -- 23.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24
1...........2...........3...........4...........
HH |x-----------x-----------x-----------x-----------|
SD |------------x--------x--------------x-----------|
BD |x-----x-----------------x-----x--------x--------|13 fills to learn, played 27 times: bars 22, 31, 41, 50, 54, 58 and 21 more.
It cuts the song into 50 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with how fine the subdivision is the part that decides it. The beat itself is 53 out of 100; the rest of the number is everything around it.
186 bars, about 7:21 at the written tempo. The course breaks it into 50 exercises over 13 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 27 times: bars 22, 31, 41, 50, 54, 58 and 21 more.