144 bars of 4/4 at 135 BPM, about 4:16 of playing, on crash, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 1-8, snare through bars 9-39, toms through bars 40-44, snare through bars 45-75, toms through bars 76-80 and snare through bars 81-128, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 9-15, 17-23 and 45-47, and 11 more places -- 37.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
9
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
BD |x-----x-x-------|13 fills to learn, played 25 times: bars 8, 16, 24, 40, 44, 48 and 19 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
144 bars, about 4:16 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 26 minutes each.
crash, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 25 times: bars 8, 16, 24, 40, 44, 48 and 19 more.