177 bars at 193 BPM -- fast, and 3:40 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-9, kick and crashes through bars 10-11, toms through bars 12-18, hi-hat through bars 19-27, silence through bars 28-35 and toms through bars 36-41, and 19 more changes after that.
The beat the song is built on is one bar, played through bars 12-18, 36-41 and 72-78, and 1 more place -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12
1e+a2e+a3e+a4e+a
FT |x-x-x-x-x-x-x-x-|
BD |x---x---x---x---|7 fills to learn, played 34 times: bars 5, 7, 19, 42, 43, 44 and 28 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
193 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
177 bars, about 3:40 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 34 times: bars 5, 7, 19, 42, 43, 44 and 28 more.