130 bars of 4/4 at 113 BPM, about 4:47 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 1-25, hi-hat through bars 26-35, toms through bars 36-65, hi-hat through bars 66-88, toms through bars 89-104 and hi-hat through bars 105-125, and 1 more change after that.
The beat the song is built on is one bar, played through bars 2-4, 6-8 and 10-12, and 17 more places -- 43.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
3
1e+a2e+a3e+a4e+a
CC |--x---x---x---x-|
SD |----x-------x---|
FT |----x-------x---|
BD |x---x---x-x-x---|
HF |x---x---x---x---|7 fills to learn, played 23 times: bars 1, 5, 25, 26, 31, 37 and 17 more.
It cuts the song into 34 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
113 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
130 bars, about 4:47 at the written tempo. The course breaks it into 34 exercises over 12 sittings, about 23 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 23 times: bars 1, 5, 25, 26, 31, 37 and 17 more.