156 bars of 4/4 at 120 BPM, about 5:12 of playing, on crash, snare, floor tom, kick and hi-hat foot.
47 out of 100, a step up from a first song, and the work is in how much of it falls off the beat.
silence through bars 1-4, toms through bars 5-52, snare through bars 53-79, kick and crashes through bars 80-84 and snare through bars 85-156.
The beat the song is built on is one bar, played through bars 53-76 and 85-156 -- 64% of every bar the kit plays. Learn that one and the song is very nearly finished.
53
1e+a2e+a3e+a4e+a
SD |-------X--------|
BD |---------------x|
HF |---x---x---x---x|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 8 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 35 out of 100; the rest of the number is everything around it.
156 bars, about 5:12 at the written tempo. The course breaks it into 8 exercises over 2 sittings, about 29 minutes each.
crash, snare, floor tom, kick and hi-hat foot. Nothing in the part asks for anything else.