232 bars at 225 BPM -- fast, and 4:08 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
67 out of 100: demanding, mostly on how many notes a second it asks for.
kick and crashes through bar 1, hi-hat through bars 2-17, ride through bars 18-25, hi-hat through bars 26-41, ride through bars 42-51 and hi-hat through bars 52-53, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 2, 6 and 8, and 9 more places -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
74
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |x-x-x-x-x-x-x-x-|
BD |x-x-x-x-x-x-x-x-|22 fills to learn, played 56 times: bars 3, 4, 5, 9, 11, 12 and 50 more.
It cuts the song into 78 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
225 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
67 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 48 out of 100; the rest of the number is everything around it.
232 bars, about 4:08 at the written tempo. The course breaks it into 78 exercises over 25 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 56 times: bars 3, 4, 5, 9, 11, 12 and 50 more.