134 bars of 4/4 at 126 BPM, about 4:15 of playing, on crash, hi-hat, snare, mid tom and kick.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-4, hi-hat through bars 5-24, snare through bars 25-28, toms through bars 29-30, snare through bars 31-35 and hi-hat through bars 36-55, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 5, 16-20 and 41, and 11 more places -- 35.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
16
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-------|4 fills to learn, played 6 times: bars 4, 68, 76, 80, 84 and 96.
It cuts the song into 30 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
134 bars, about 4:15 at the written tempo. The course breaks it into 30 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
4 fills to learn, played 6 times: bars 4, 68, 76, 80, 84 and 96.