176 bars of 4/4 at 118 BPM, about 5:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
78 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-21, toms through bars 22-28, hi-hat through bars 29-94, toms through bars 95-96 and ride through bars 97-104, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 13-15, and 17 more places -- 25.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11
1.......2.......3.......4.......
CC |x-----------------------x---x---|
HH |----o---o---o---o---o-----------|
SD |--------x---------------x-------|
BD |x---x-x-------xxx---x-x-----x---|25 fills to learn, played 45 times: bars 8, 12, 16, 26, 28, 32 and 39 more.
It cuts the song into 66 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
118 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
176 bars, about 5:58 at the written tempo. The course breaks it into 66 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 45 times: bars 8, 12, 16, 26, 28, 32 and 39 more.