254 bars of 4/4 at a walking 80 BPM, 12:42 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-20, hi-hat through bars 21-36, snare through bars 37-44, hi-hat through bars 45-107, toms through bars 108-116 and hi-hat through bars 117-168, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 117-168, 171-174 and 177-180, and 12 more places -- 39% of every bar the kit plays. Learn that one and most of the song is already under your hands.
118
1e+a2e+a3e+a4e+a
CC |------------x---|
HH |o---o---o-------|
SD |----x-------x---|
BD |x-x-----x-x-----|16 fills to learn, played 38 times: bars 28, 29, 32, 34, 35, 36 and 32 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
254 bars, about 12:42 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 38 times: bars 28, 29, 32, 34, 35, 36 and 32 more.