134 bars of 7/4 -- not four -- at 120 BPM, 5:58 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-54, snare through bars 55-62, hi-hat through bars 63-103 and silence through bars 104-134.
The beat the song is built on is one bar, played through bars 21-23, 25-27 and 29-31, and 5 more places -- 22.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22
1e+a2e+a3e+a4e+a5e+a6e+a7e+a
HH |------------o-------------o-|
SD |--------x-------------x-----|
FT |x---x---------x---x---------|
BD |x---x---------x---x---------|7 fills to learn, played 28 times: bars 11, 12, 14, 15, 17, 18 and 22 more.
It cuts the song into 30 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 7/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 17 out of 100; the rest of the number is everything around it.
134 bars, about 5:58 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 28 times: bars 11, 12, 14, 15, 17, 18 and 22 more.