215 bars at 194 BPM -- fast, and 4:21 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
73 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-16, silence through bars 17-19, hi-hat through bars 20-40, ride through bars 41-48, hi-hat through bars 49-57 and ride through bars 58-65, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 32-39, 66-73 and 101-102, and 4 more places -- 16% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
33
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |x-------x-------|
BD |x-x-x-x-x-x-x-x-|12 fills to learn, played 30 times: bars 4, 23, 31, 42, 46, 59 and 24 more.
It cuts the song into 60 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
194 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
215 bars, about 4:21 at the written tempo. The course breaks it into 60 exercises over 18 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 30 times: bars 4, 23, 31, 42, 46, 59 and 24 more.