72 bars of 3/4 -- not four -- at 85 BPM, 2:31 of playing on hi-hat, snare and kick.
14 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet.
silence through bars 1-18, kick and crashes through bars 19-27, silence through bars 28-29, snare through bars 30-53, hi-hat through bars 54-57 and snare through bars 58-61, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 19, 30 and 32, and 3 more places -- 68.6% of every bar the kit plays. Learn that one and the song is very nearly finished.
30
1e+a2e+a3e+a
SD |------x-----|
BD |x---------x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 8 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
85 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
14 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 11 out of 100; the rest of the number is everything around it.
72 bars, about 2:31 at the written tempo. The course breaks it into 8 exercises over 3 sittings, about 19 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.