152 bars of 4/4 at 120 BPM, about 5:04 of playing, on crash, hi-hat, snare, floor tom and kick.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 1-16, hi-hat through bars 17-32, snare through bars 33-48, hi-hat through bars 49-64, silence through bars 65-96 and hi-hat through bars 97-152.
The beat the song is built on is one bar, played through bars 57-64, 105-111 and 113-152 -- 45.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
57
1e+a2e+a3e+a4e+a
HH |--o---o---o---o-|
SD |----x-------x---|
BD |x--x--x-xx------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 22 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
152 bars, about 5:04 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 24 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.