77 bars of 4/4 at a walking 80 BPM, 3:51 of playing, on hi-hat, snare and kick.
65 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-33, snare through bars 34-41, hi-hat through bars 42-57, snare through bars 58-61 and hi-hat through bars 62-77.
The beat the song is built on is one bar, played through bars 10-17, 26-33 and 42-57, and 1 more place -- 62.3% of every bar the kit plays. Learn that one and the song is very nearly finished.
10
1e+a2e+a3e+a4e+a
HH |X-x-o-x-X-x-o-x-|
BD |g--g-g-gg--g-g-g|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 14 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
77 bars, about 3:51 at the written tempo. The course breaks it into 14 exercises over 4 sittings, about 26 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.