222 bars at 155 BPM -- fast, and 5:41 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
68 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 1-6, toms through bars 7-8, hi-hat through bars 9-17, toms through bars 18-21, ride through bars 22-25 and hi-hat through bars 26-34, and 14 more changes after that.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 17, and 28 more places -- 34.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10
1...........2...........3...........4...........
HH |o-----------o-----------o-----------o-----------|
SD |------------x-----------------------x-----------|
BD |x-----------------------x-----x-----------x-----|26 fills to learn, played 41 times: bars 7, 8, 18, 26, 61, 62 and 35 more.
It cuts the song into 79 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
155 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
222 bars, about 5:41 at the written tempo. The course breaks it into 79 exercises over 24 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 41 times: bars 7, 8, 18, 26, 61, 62 and 35 more.