136 bars of 4/4 at 112 BPM, about 4:51 of playing, on ride, hi-hat, snare, kick and hi-hat foot.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-80, ride through bars 81-84, hi-hat through bars 85-96, snare through bars 97-108, hi-hat through bars 109-112 and snare through bars 113-116, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 1-12, 17-80 and 85-96, and 3 more places -- 78.7% of every bar the kit plays. Learn that one and the song is very nearly finished.
1
1e+a2e+a3e+a4e+a
HH |x---x---x---x---|
SD |----x-------x---|
BD |x-------x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
136 bars, about 4:51 at the written tempo. The course breaks it into 17 exercises over 4 sittings, about 29 minutes each.
ride, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.