82 bars of 4/4 at a walking 78 BPM, 4:11 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-9, ride through bars 10-13, snare through bars 14-21, hi-hat through bars 22-25, ride through bars 26-36 and hi-hat through bars 37-49, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 10-12, 26-28 and 30-32, and 3 more places -- 25.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
26
1e+a2e+a3e+a4e+a
CC |x---------------|
RD |--x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-x-------------|7 fills to learn, played 12 times: bars 25, 29, 33, 37, 49, 53 and 6 more.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 13 out of 100; the rest of the number is everything around it.
82 bars, about 4:11 at the written tempo. The course breaks it into 31 exercises over 7 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 25, 29, 33, 37, 49, 53 and 6 more.