148 bars at 165 BPM -- fast, and 3:35 of it without a break -- on crash, hi-hat, snare and kick.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, snare through bars 9-13, hi-hat through bars 14-55, snare through bars 56-62, hi-hat through bars 63-90 and snare through bars 91-97, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 21-41, 70-90 and 98-104 -- 38.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
21
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |----x-------x---|
BD |x-x---x---x-----|3 fills to learn, played 10 times: bars 51, 54, 55, 58, 62, 63 and 4 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
165 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
148 bars, about 3:35 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 28 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 10 times: bars 51, 54, 55, 58, 62, 63 and 4 more.