104 bars of 3/4 -- not four -- at 68 BPM, 4:33 of playing on crash, hi-hat, snare, kick and hi-hat foot.
16 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet.
snare through bars 3-75, silence through bars 76-84 and snare through bars 85-104.
The beat the song is built on is one bar, played through bars 27-33, 35-41 and 43-57, and 4 more places -- 65.6% of every bar the kit plays. Learn that one and the song is very nearly finished.
28
1e+a2e+a3e+a
SD |------x-----|
BD |x-----------|
HF |--x-x---x-x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 9 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
68 BPM, in 3/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
16 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 1 out of 100; the rest of the number is everything around it.
104 bars, about 4:33 at the written tempo. The course breaks it into 9 exercises over 2 sittings, about 30 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.