297 bars of 3/4 -- not four -- at 140 BPM, 6:45 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
toms through bars 3-4, snare through bars 5-16, toms through bars 17-20, hi-hat through bars 21-52, snare through bars 53-80 and toms through bars 81-84, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 13-16, and 11 more places -- 41.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
53
1e+a2e+a3e+a
CC |x---x---x---|
SD |----x---x---|
BD |x--x--------|9 fills to learn, played 17 times: bars 3, 4, 12, 20, 44, 68 and 11 more.
It cuts the song into 55 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
297 bars, about 6:45 at the written tempo. The course breaks it into 55 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 17 times: bars 3, 4, 12, 20, 44, 68 and 11 more.