79 bars of 4/4 at a walking 81 BPM, 3:54 of playing, on ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
57 out of 100, a step up from a first song, and the work is in how much of it falls off the beat.
hi-hat through bars 1-50, silence through bars 51-59 and hi-hat through bars 60-79.
The beat the song is built on is a 2-bar phrase, played through bars 1-5, 7-13 and 15-21, and 4 more places -- 75.7% of every bar the kit plays. Learn that one and the song is very nearly finished.
7 8
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |xxxxxxxxxxxxxxxx|xxxxxxxxxxxxxxxx|
SD |----x-------x---|----x-------x---|
BD |x-------x-x-----|x-------xx-x----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
81 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 50 out of 100; the rest of the number is everything around it.
79 bars, about 3:54 at the written tempo. The course breaks it into 12 exercises over 4 sittings, about 27 minutes each.
ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.