133 bars of 4/4 at 125 BPM, about 4:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
85 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.
silence through bars 1-24, hi-hat through bars 25-38, snare through bars 39-40, hi-hat through bars 41-46, snare through bars 47-48 and hi-hat through bars 49-79, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 25-30, 33-38 and 65-70, and 3 more places -- 33.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
26
1.....2.....3.....4.....
HH |o-----o-----o-----o-----|
SD |x-x-x-x-x-x-x-x-x-x-x-x-|
BD |xxxxxxxxxxxxxxxxxxxxxxxx|11 fills to learn, played 14 times: bars 24, 40, 48, 56, 58, 60 and 8 more.
It cuts the song into 34 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
85 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 78 out of 100; the rest of the number is everything around it.
133 bars, about 4:15 at the written tempo. The course breaks it into 34 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 14 times: bars 24, 40, 48, 56, 58, 60 and 8 more.