288 bars at 210 BPM -- fast, and 5:26 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-6, toms through bars 7-8, kick and crashes through bars 9-18, hi-hat through bars 19-53, snare through bars 54-57 and hi-hat through bars 58-59, and 16 more changes after that.
The beat the song is built on is one bar, played through bars 24-31, 33-51 and 53-59, and 7 more places -- 44.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
24
1.....2.....3.....4.....
HH |o-----o-----o-----o-----|
SD |------x-----------x-----|
BD |x-----------x-----------|7 fills to learn, played 22 times: bars 8, 12, 66, 67, 117, 207 and 16 more.
It cuts the song into 42 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
210 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
288 bars, about 5:26 at the written tempo. The course breaks it into 42 exercises over 11 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 22 times: bars 8, 12, 66, 67, 117, 207 and 16 more.