251 bars of 4/4 at 150 BPM, about 6:42 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
72 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-16, silence through bars 17-20, hi-hat through bars 21-50, snare through bars 51-52, hi-hat through bars 53-68 and snare through bars 69-74, and 14 more changes after that.
The beat the song is built on is one bar, played through bars 9-10, 13-14 and 37-45, and 28 more places -- 35% of every bar the kit plays. Learn that one and most of the song is already under your hands.
37
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |x---x---x---x---|
BD |xxxxxxxxxxxxxxxx|18 fills to learn, played 41 times: bars 8, 12, 20, 28, 36, 46 and 35 more.
It cuts the song into 49 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
251 bars, about 6:42 at the written tempo. The course breaks it into 49 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 41 times: bars 8, 12, 20, 28, 36, 46 and 35 more.