79 bars at 157 BPM -- fast, and 2:01 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-40, snare through bars 41-52, silence through bars 53-60, toms through bars 61-62 and hi-hat through bars 63-79.
The beat the song is built on is one bar, played through bars 21, 23 and 25, and 19 more places -- 32.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
23
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |--x-----x-----x-|
BD |x---------------|6 fills to learn, played 11 times: bars 20, 36, 38, 40, 44, 48 and 5 more.
It cuts the song into 22 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
157 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 17 out of 100; the rest of the number is everything around it.
79 bars, about 2:01 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 20, 36, 38, 40, 44, 48 and 5 more.