198 bars at 192 BPM -- fast, and 4:08 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bars 1-10, snare through bars 11-14, hi-hat through bars 15-18, snare through bars 19-22, hi-hat through bars 23-26 and snare through bars 27-58, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 11-14, 19-22 and 27-30, and 9 more places -- 31.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
44
1e+a2e+a3e+a4e+a
CC |X---X---X---X---|
SD |----X-------X---|
BD |x-x-----x-x-----|13 fills to learn, played 20 times: bars 18, 26, 34, 40, 42, 50 and 14 more.
It cuts the song into 60 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
192 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
198 bars, about 4:08 at the written tempo. The course breaks it into 60 exercises over 17 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 20 times: bars 18, 26, 34, 40, 42, 50 and 14 more.