122 bars at 180 BPM -- fast, and 2:43 of it without a break -- on crash, hi-hat, snare and kick.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-5 and hi-hat through bars 6-122.
The beat the song is built on is one bar, played through bars 6-7, 10-12 and 14-28, and 10 more places -- 86.4% of every bar the kit plays. Learn that one and the song is very nearly finished.
7
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-x-----x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 5 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
122 bars, about 2:43 at the written tempo. The course breaks it into 5 exercises over 2 sittings, about 28 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.