103 bars of 4/4 at 146 BPM, about 2:49 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-9, hi-hat through bars 10-75, silence through bars 76-83 and hi-hat through bars 84-103.
The beat the song is built on is a 2-bar phrase, played through bars 10-16, 34-41 and 60-75, and 1 more place -- 54.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
10 11
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |--x-------------|----------------|
HH |--o-o---o---o---|o---o---o---o---|
SD |--------x-------|--------x-------|
BD |--x---x-------x-|x-x---x---------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
103 bars, about 2:49 at the written tempo. The course breaks it into 11 exercises over 3 sittings, about 29 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.