64 bars of 4/4 at 135 BPM, about 1:54 of playing, on crash, ride, hi-hat, snare, kick and hi-hat foot.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
ride through bars 1-24, hi-hat through bars 25-32, ride through bars 33-42, hi-hat through bars 43-54 and ride through bars 55-64.
The beat the song is built on is one bar, played through bars 11, 13 and 15-24, and 2 more places -- 48.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
13
1e+a2e+a3e+a4e+a
RD |x---x-x-x---x-x-|
SD |----r-------r---|
BD |x-------x-------|
HF |----x-------x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
64 bars, about 1:54 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.