106 bars, 5:35, at 73 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, kick and hi-hat foot and nothing else.
16 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet.
silence through bars 1-3, kick and crashes through bars 4-7, silence through bars 8-23, hi-hat through bars 24-26, kick and crashes through bars 27-29 and silence through bars 30-32, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 24-26, 33-41 and 54-56, and 3 more places -- 36.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
24
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-------|1 fill to learn, played 2 times: bars 78 and 79.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
73 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
16 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
106 bars, about 5:35 at the written tempo. The course breaks it into 11 exercises over 3 sittings, about 22 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
1 fill to learn, played 2 times: bars 78 and 79.