119 bars of 4/4 at 120 BPM, about 3:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
74 out of 100: demanding, mostly on how much of it falls off the beat.
silence through bars 1-8, toms through bars 9-16, snare through bars 17-34, hi-hat through bars 35-42, toms through bars 43-46 and hi-hat through bars 47-51, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 17, 19 and 21, and 11 more places -- 12.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17
1...............2...............3...............4...............
CC |x---------------x---------------x---------------x---------------|
SD |--------------------------------x-------------------------------|
BD |x--------------------x-----x----x-------------------------------|9 fills to learn, played 17 times: bars 24, 43, 44, 45, 46, 47 and 11 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 48 out of 100; the rest of the number is everything around it.
119 bars, about 3:58 at the written tempo. The course breaks it into 46 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 17 times: bars 24, 43, 44, 45, 46, 47 and 11 more.