109 bars of 4/4 at a walking 95 BPM, 4:35 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
28 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 2-25, silence through bars 26-33, hi-hat through bars 34-61, snare through bars 62-64, hi-hat through bars 65-73 and silence through bars 74-77, and 4 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 34-40, 42-58 and 78-84, and 2 more places -- 40.6% of every bar the kit plays. Learn that one and most of the song is already under your hands.
35 36
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|
SD |--------x-------|--------x-------|
BD |x-x-------------|x-------------x-|1 fill to learn, played 2 times: bars 41 and 93.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
28 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 19 out of 100; the rest of the number is everything around it.
109 bars, about 4:35 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 2 times: bars 41 and 93.