109 bars of 4/4 at a walking 96 BPM, 4:31 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
29 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 2-25, silence through bars 26-33, hi-hat through bars 34-73, silence through bars 74-77, hi-hat through bars 78-93 and ride through bars 94-102, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 2, 4 and 6-8, and 7 more places -- 27.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4
1e+a2e+a3e+a4e+a
HH |x---x---x---x---|
SD |--------x-------|
BD |x-------------x-|2 fills to learn, played 7 times: bars 93, 99, 100, 101, 105, 107 and 1 more.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
29 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 16 out of 100; the rest of the number is everything around it.
109 bars, about 4:31 at the written tempo. The course breaks it into 26 exercises over 6 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 7 times: bars 93, 99, 100, 101, 105, 107 and 1 more.