121 bars at 180 BPM -- fast, and 2:41 of it without a break -- on crash, hi-hat, snare, floor tom and kick.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-13, hi-hat through bars 14-17, snare through bars 18-29, hi-hat through bars 30-33, snare through bars 34-49 and hi-hat through bars 50-53, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 2-12, 18-28 and 34-36, and 8 more places -- 71.9% of every bar the kit plays. Learn that one and the song is very nearly finished.
2
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
BD |x-x-----x-x-----|5 fills to learn, played 11 times: bars 13, 29, 37, 53, 61, 69 and 5 more.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
121 bars, about 2:41 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
5 fills to learn, played 11 times: bars 13, 29, 37, 53, 61, 69 and 5 more.