172 bars of 4/4 at 150 BPM, about 4:34 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 1-24, hi-hat through bars 25-30, snare through bars 31-54, hi-hat through bars 55-61, snare through bars 62-76 and toms through bars 77-79, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 1-3, 5 and 7, and 58 more places -- 40.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
2
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x-----x---------|10 fills to learn, played 18 times: bars 4, 20, 24, 36, 57, 61 and 12 more.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 21 out of 100; the rest of the number is everything around it.
172 bars, about 4:34 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 18 times: bars 4, 20, 24, 36, 57, 61 and 12 more.