67 bars of 4/4 at a walking 102 BPM, 2:38 of playing, on crash, hi-hat, snare and kick.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 3-18, snare through bars 19-34, hi-hat through bars 35-50 and snare through bars 51-67.
The beat the song is built on is one bar, played through bars 19-34 and 52-67 -- 49.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
19
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
BD |x--x-x-x--x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 10 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
102 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
67 bars, about 2:38 at the written tempo. The course breaks it into 10 exercises over 3 sittings, about 28 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.