132 bars of 4/4 at 148 BPM, about 3:34 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-7, snare through bars 8-16, toms through bars 17-18, snare through bars 19-34, hi-hat through bars 35-48 and toms through bars 49-51, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 27-33, 53-59 and 101-107, and 1 more place -- 22.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
BD |x---x---x---x---|10 fills to learn, played 13 times: bars 24, 26, 50, 92, 99, 100 and 7 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 14 out of 100; the rest of the number is everything around it.
132 bars, about 3:34 at the written tempo. The course breaks it into 46 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 13 times: bars 24, 26, 50, 92, 99, 100 and 7 more.