77 bars of 4/4 at 150 BPM, about 2:03 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
kick and crashes through bars 1-12, hi-hat through bars 13-27, snare through bars 28-36, kick and crashes through bars 37-43, hi-hat through bars 44-60 and kick and crashes through bars 61-64, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 21-23, and 3 more places -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13
1e+a2e+a3e+a4e+a
HH |----o---o---x-o-|
SD |----x-------x---|
BD |--x-----x-xx----|1 fill to learn, played 1 time: bar 47.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 38 out of 100; the rest of the number is everything around it.
77 bars, about 2:03 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 1 time: bar 47.