83 bars of 4/4 at a walking 77 BPM, 4:19 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, ride through bars 5-8, hi-hat through bars 9-24, ride through bars 25-36, hi-hat through bars 37-52 and ride through bars 53-55, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 5-7, 27 and 29, and 6 more places -- 23.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6
1e+a2e+a3e+a4e+a
RD |x-x-x-x-x-x-x-x-|
SD |----x--x----x--x|
BD |x-x-----x-x-----|5 fills to learn, played 7 times: bars 28, 36, 44, 56, 64, 71 and 1 more.
It cuts the song into 30 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
77 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 30 out of 100; the rest of the number is everything around it.
83 bars, about 4:19 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 28, 36, 44, 56, 64, 71 and 1 more.