111 bars of 3/4 -- not four -- at 75 BPM, 6:22 of playing on crash, ride, hi-hat, snare, mid tom and kick.
33 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-48, ride through bars 49-57, hi-hat through bars 58-59, ride through bars 60-77, hi-hat through bars 78-79 and ride through bars 80-105, and 1 more change after that.
The beat the song is built on is one bar, played through bars 1-7, 9-18 and 22-24, and 3 more places -- 27.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1
1e+a2e+a3e+a4e+a5e+a6e+a
HH |x-x-x-x-x-x-x-x-x-x-x-x-|
SD |------x-----------x-----|
BD |x---------x-x---------x-|5 fills to learn, played 6 times: bars 74, 75, 79, 83, 93 and 97.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
75 BPM, in 3/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
33 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 18 out of 100; the rest of the number is everything around it.
111 bars, about 6:22 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 74, 75, 79, 83, 93 and 97.