75 bars of 4/4 at 110 BPM, about 2:44 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-10, hi-hat through bars 11-50, silence through bars 51-59 and hi-hat through bars 60-75.
The beat the song is built on is one bar, played through bars 19-25, 27-29 and 33, and 6 more places -- 58.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
20
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-xx|
SD |----x-------x---|
BD |x-------x-------|4 fills to learn, played 7 times: bars 18, 26, 38, 46, 59, 67 and 1 more.
It cuts the song into 15 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
75 bars, about 2:44 at the written tempo. The course breaks it into 15 exercises over 4 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 18, 26, 38, 46, 59, 67 and 1 more.