152 bars of 4/4 at 137 BPM, about 4:25 of playing, on hi-hat, snare, floor tom, kick and hi-hat foot.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
The time is kept on the hi-hat the whole way through.
The beat the song is built on is one bar, played through bars 46-60, 78-95 and 97-128, and 1 more place -- 52.6% of every bar the kit plays. Learn that one and most of the song is already under your hands.
46
1e+a2e+a3e+a4e+a
HH |x-x-x---x-x-x---|
SD |----x-------x---|
FT |x-x-----x-x-----|
BD |x-x-----x-x-----|
HF |--x---x---x---x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
137 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
152 bars, about 4:25 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 25 minutes each.
hi-hat, snare, floor tom, kick and hi-hat foot. Nothing in the part asks for anything else.