84 bars of 4/4 at a walking 95 BPM, 3:32 of playing, on hi-hat, snare and kick.
74 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bars 1-4 and hi-hat through bars 5-84.
The beat the song is built on is one bar, played through bars 5-7, 15-20 and 24-26, and 3 more places -- 67.9% of every bar the kit plays. Learn that one and the song is very nearly finished.
5
1e+a2e+a3e+a4e+a
HH |xxxxxxxxxxxxxxxx|
SD |--x---x---x---x-|
BD |xx--xx--xx--xx--|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
84 bars, about 3:32 at the written tempo. The course breaks it into 13 exercises over 5 sittings, about 23 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.