280 bars at 198 BPM -- fast, and 5:39 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 1-17, ride through bars 18-33, snare through bars 34-57, ride through bars 58-65, hi-hat through bars 66-89 and snare through bars 90-95, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 103-109, 111-117 and 119-121, and 13 more places -- 29% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
104
1e+a2e+a3e+a4e+a
HH |x---x---x---x---|
SD |--x---x---x---x-|
BD |x---x---x---x---|19 fills to learn, played 37 times: bars 17, 33, 49, 57, 65, 69 and 31 more.
It cuts the song into 69 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
198 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
280 bars, about 5:39 at the written tempo. The course breaks it into 69 exercises over 20 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 37 times: bars 17, 33, 49, 57, 65, 69 and 31 more.