134 bars of 4/4 at 145 BPM, about 3:42 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-6, hi-hat through bars 7-12, snare through bars 13-18, kick and crashes through bars 19-36, silence through bars 37-39 and kick and crashes through bars 40-41, and 14 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 7-11, 13-17 and 51-55, and 14 more places -- 32.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 8
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |----o---o---o---|o---o---o---o---|
SD |--------x-------|--------x-------|
BD |x-----x---x-----|x---x-----------|8 fills to learn, played 12 times: bars 12, 18, 56, 59, 94, 100 and 6 more.
It cuts the song into 35 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 35 out of 100; the rest of the number is everything around it.
134 bars, about 3:42 at the written tempo. The course breaks it into 35 exercises over 8 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 12 times: bars 12, 18, 56, 59, 94, 100 and 6 more.