133 bars of 4/4 at 152 BPM, about 3:29 of playing, on crash, snare, mid tom, floor tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-12, snare through bars 13-28, silence through bars 29-43, snare through bars 44-60, silence through bars 61-68 and snare through bars 69-80, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 45-47, and 3 more places -- 16.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x-x-x-xxx-x-xxx-|10 fills to learn, played 16 times: bars 16, 20, 48, 52, 72, 74 and 10 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 47 out of 100; the rest of the number is everything around it.
133 bars, about 3:29 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 26 minutes each.
crash, snare, mid tom, floor tom and kick. Nothing in the part asks for anything else.
10 fills to learn, played 16 times: bars 16, 20, 48, 52, 72, 74 and 10 more.