191 bars of 4/4 at a walking 92 BPM, 8:18 of playing, on crash, snare, mid tom, floor tom and kick.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-10, snare through bars 11-38, toms through bars 39-40, snare through bars 41-118, toms through bars 119-120 and snare through bars 121-158, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 34, 36 and 38, and 24 more places -- 14.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
34
1e+a2e+a3e+a4e+a
CC |--------x-------|
SD |--------x-------|
BD |----x-----------|9 fills to learn, played 21 times: bars 8, 14, 18, 24, 26, 30 and 15 more.
It cuts the song into 15 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 15 out of 100; the rest of the number is everything around it.
191 bars, about 8:18 at the written tempo. The course breaks it into 15 exercises over 3 sittings, about 29 minutes each.
crash, snare, mid tom, floor tom and kick. Nothing in the part asks for anything else.
9 fills to learn, played 21 times: bars 8, 14, 18, 24, 26, 30 and 15 more.