96 bars of 4/4 at 148 BPM, about 2:28 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-16, snare through bars 17-28, hi-hat through bars 29-36, snare through bars 37-59, toms through bars 60-75 and snare through bars 76-94, and 1 more change after that.
The beat the song is built on is one bar, played through bars 17-19, 21 and 23, and 10 more places -- 24% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x-----x-------x-|13 fills to learn, played 24 times: bars 8, 16, 24, 28, 36, 37 and 18 more.
It cuts the song into 30 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
96 bars, about 2:28 at the written tempo. The course breaks it into 30 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 24 times: bars 8, 16, 24, 28, 36, 37 and 18 more.