93 bars of 3/4 -- not four -- at 130 BPM, 2:09 of playing on hi-hat, snare, kick and hi-hat foot.
62 out of 100, a step up from a first song, and the work is in how much of it falls off the beat.
silence through bars 1-20 and hi-hat through bars 21-93.
The beat the song is built on is one bar, played through bars 21-23, 25-27 and 29-31, and 9 more places -- 52% of every bar the kit plays. Learn that one and most of the song is already under your hands.
22
1.......2.......3.......
HH |o-----------o-----------|
SD |------x--x--------x--x--|
BD |x-----------x-----------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 58 out of 100; the rest of the number is everything around it.
93 bars, about 2:09 at the written tempo. The course breaks it into 11 exercises over 4 sittings, about 26 minutes each.
hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.